Jenni Cargill-Strong
Why Storytelling?
Oral stories were the first form of literature and so experiencing live storytelling supports an understanding of written literature. While reading is primarily a solitary experience, live oral storytelling is a collective experience, which is highly responsive and builds relationality, emphatic imagination and knowledge creation. Each listener conceives the tale in their own unique way, greatly igniting and strengthening imaginative faculties. Yet they do so as a member of a focused group, each listener experiencing the same story with all the emotions it evokes. Students with literacy and attention challenges respond with enthusiasm to aural storytelling, because it engages multiple intelligences: not just visual, but aural and kinaesthetic. Storytelling supports children to understand story structure and children often feel inspired to recount the story they most loved.
Jenni is a nationally recognised storyteller and educator with thirty years experience, based in Meanjin or Brisbane, Queensland. She tells her stories eye to eye and heart to heart, engaging students and teachers with her warm, welcoming and expressive style. Students are invited to participate in chants, refrains, songs, and actions that involve them deeply in the story as an enriching imaginative experience. She has enchanted preschoolers, primary school children, secondary students and adult audiences. Jenni toured schools in Australia and New Zealand for seven years and has five award-winning story albums. She has been an invited presenter and workshop leader at online storytelling gatherings and conferences in the US and is a part-time academic at Southern Cross University, teaching storytelling for the classroom to pre-service teachers. Jenni is available for school shows and staff in-services. You can sample Jenni’s storytelling at her website.
Storytelling Repertoire and Story Selection
One of the many strengths of oral storytelling is that is builds relationality. The story lives between the teller and the listener, as a vibrant co-creation, yet stories sometimes have a mind of their own. A storyteller may plan to tell a certain story, but on arrival may sense that these listeners need something different. Jenni has at times told a story that asked to be told, wondering why, only to discover that there was someone in the audience who really needed that particular story.
Like many storytellers, Jenni’s repertoire spans preschoolers to adults. While some stories only suit one particular age group, others can be adapted for any age. They just need to be delivered differently. With thirty years experience, Jenni aims to select and attune her stories for the age, energy level, gender, culture, interests and mood of her audience. In designing story sets, Jenni makes sure they are complementary in plot, style, type of protagonist, dramatic arc, rhythm and emotional tone.
With enough notice, Jenni is very happy to develop a story set to fit a particular theme the school is working on, if she has suitable tales in her repertoire. She may need time to dust some older ones off and re-weave them, or even weave a new one!
Infants 45 - 50 mins
Interwoven with chants, participative actions, song, students could hear three of the following:
- The Wonderful Coat - Jewish folktale - told with felt board, similar to The Blue Coat but with gender neutral pronouns. Listen here.
- The Cap Seller and the Monkeys - Indian panchatantra folktale.
- Matryoshka dolls - as props for a family story, personal.
- The Two Russian Goats - Russian folktale - told with two students on stage as goats. Listen here.
- The Cracked Pot - (a Kamishibai or Japanese paper story).
- The Mermaid’s Shoes - original - told with a pair of shoes made from kangaroo and barramundi leather. Listen here.
- Long Long Long - Chinese dandling song - students join in through song and rhythm in an exciting adventure through a dark forest and two students up on stage as tigers.
Lower Primary 50 - 60 mins
Interwoven with chants, participative actions, song, and a fun drama game, students will hear three stories chosen from the following, ending with Q & A:
- The Mulberry Tree - original - Jenni’s beloved childhood mulberry tree was ring barked, but now mulberry trees follow her wherever she goes. Listen here.
- The Three Magic Charms - (a Kamishibai or Japanese paper story).
- Molly Whuppie - Scottish adventure tale with lots of fun sound effects and actions to join in with. Listen here.
- The Mermaid’s Shoes - a simplified, shortened version for preschoolers of my ever-popular original story about the Mermaid of Byron Bay and my magical storytelling shoes, with participative refrains. Watch here.
- The Tale of the Wonderful Coat - Jewish folktale with gender neutral pronouns, the masculine version of The Blue Coat - watch here.
- Matryoshka or nesting dolls - as props for generational family stories. Watch 5 min video here.
Upper Primary 50 - 60 mins
Interwoven with chants, participative actions, song, and a fun drama game, students will hear three stories probably chosen from the following, ending with Q & A:
- The Mulberry Tree - original - Jenni’s beloved childhood mulberry tree was ringbarked, but now mulberry trees follow her wherever she goes. Listen here.
- The Black Prince - Egyptian folktale.
- Molly Whuppie - Scottish adventure tale with lots of fun sound effects and actions to join in with. Listen here.
- The Monkey’s Heart - Indian panchatantra trickster tale - baby monkey and baby crocodile are good friends, until crocodile mother decides she wants a monkeys heart. Listen here.
- Jack and the Beanstalk - English folktale rewoven.
- The Three Magic Charms - (a Kamishibai or Japanese paper story) - a child monk outwits a monster with the help of his wise master
- The Haunted Boots - humorous Scottish folktale - told with a candle, a satisfying tale to end with!
Secondary 50-60 mins
Interwoven with introductions and explanations and discussion of metaphor and motifs in stories, students will hear three stories probably
chosen from the following, ending with Q & A:
- Goldenheart - original - the fable of a young man who throws away his heart and how it is returned to him - Listen here.
- The Mulberry Tree - original - Jenni’s beloved childhood mulberry tree was ringbarked, but now mulberry trees follow her wherever she goes. Listen here.
- The Fisherman's Baby - Irish folktale - A young father makes an unwise choice and a seal keeps his baby safe in a storm. Listen here.
- The Black Prince - Egyptian folktale -a tragic romance of love and loss with a theme of self acceptance.
- The Tale of the Wonderful Coat - Jewish folktale with gender-neutral pronouns, the masculine version of The Blue Coat. Watch here. Told very differently for secondary students and adults.
- The Three Magic Charms- (a Kamishibai or Japanese paper story) delivers to provoke a discussion of metaphor, strong emotion and the visual literacy of Kamishibai theatre.
Workshops
Our brains are hard-wired to receive information encoded in a story, which is why storytelling is one of our oldest teaching methods. Oral storytelling has been called ‘Theatre of the Imagination’. It sparks creativity and enables holistic learning, engaging visual, auditory and kinaesthetic learners. As a teacher, you can tell a story to pique your students' interest in a particular topic. Once students become emotionally and imaginatively engaged, lively discussions can follow and learning deepens. Listening to stories together engenders a sense of community and shared culture in the classroom. When students learn to tell stories themselves, they can express different aspects of themselves and build confidence. Sometimes students that do not shine academically, do shine in the realm of spoken word, drama and movement. Storytelling combines all three.
In her workshops, Jenni guides participants through fun, creative processes that stimulate imagination and get stories flowing. She gives permission for anyone to have a go at story weaving and storytelling. Jenni has been teaching storytelling since 2000 to primary, secondary and tertiary students. She has taught parents, teachers, librarians and environmental educators.
Write Your Story of Place
Hear Jenni tell her original story The Mulberry Tree, learn the simple process she used to develop it, then have a go yourself. Jenni has taught this fun, engaging method to primary, secondary and tertiary students and for staff in-services. It always ignites joy, conversation, enthusiasm and creativity.
WHO: Workshop for Years 3-10 OR teachers and parents
LENGTH:
- STUDENTS: 60 minutes
- ADULTS: 2-3 hours for teachers or parents, to allow for more instruction and discussion.
SIZE:
- STUDENTS: Two primary classes at a time or one secondary class.
- ADULTS: Up to 20 teachers or parents.
How to Tell a Story
Have you ever wanted to enchant your students or children with a well told story? Discover your inner storyteller in this fun, playful workshop. Hear a simple circle story, then retell it in small groups and discuss the process. Find out how to choose a story for telling, craft it, learn it, and tell it in a captivating way. Learn through fun, gentle, non-confronting activities, pair and group work. Participants will gain ideas and confidence.
WHO: Workshop for Years 3-7 OR teachers and parents
LENGTH:
- STUDENTS: 60 minutes
- ADULTS: 2-3 hours for teachers or parents, to allow for more instruction and discussion.
SIZE:
- STUDENTS: Two primary classes at a time or one secondary class
- ADULTS: Up to 20 teachers or parents.
Platform Speaker + International Womens' Day
The Original French Red Riding Hood: 'Le Histoire du Grandmere'
In 1697, Charles Perrault published "La Petit Chaperone Rouge". It was retold in Germany as “Rotkäppchen” and in England became "Little Red Riding Hood". But long, long before Perrault, a far richer version was told in the French countryside. In 'Le Histoire du Grandmere' or 'The Grandmother's Tale', the heroine is a trickster who outsmarts the werewolf (not wolf) and escapes unhurt with the help of three laundresses.
Jenni has dusted off this earlier tale, breathed new life into it, and left the original slightly sexy and grisly parts in. Come and listen, if you dare! Her performances of 'Le Histoire du Grandmere’ have been featured at the 2021 Australian Fairytale Conference in Sydney and the NSN 2020 Connected Virtual Conference and Festival.
LENGTH: Story 20 minutes + presentation and discussion on the story and its history 35 minutes = 55 mins
Learn how to incorporate storytelling in the classroom to enhance learning. Jenni is joined by her sister Lynne, a retired primary school teacher who brings decades of experience in using story, anecdote and playfulness to help her students remember key concepts. Lynne also founded and runs, Step into History, a lower primary incursion, which grew out of her frustration with the lack of hands-on history experiences. Jenni has taught storytelling privately to teachers, librarians and parents, for Southern Cross University School of Education and has also worked as a casual secondary teacher.
“In the fullness of the school day,” says Lynne, “it can be tempting to think there is no time to ‘waste’ on stories and fun, or that it takes too much time to plan lessons to include storytelling. But it’s not about planning. It’s really about changing mindset. When students make an emotional connection with their learning, their recall will be far greater than if you rush on to the next activity. I have found stories can be a very powerful way to consolidate classroom learning.’
You will come away from this fun, interactive workshop, with valuable tools for your teaching toolkit.
Who: For teachers
Length: 3 hours
Size: Up to 30
Testimonials
Jenni visited our Steiner School in Armidale and shared her stories and deep knowledge of storytelling with parents, teachers and the children-both young and old. The wonderful effects just keep rippling through our school community!
Jenni is a consummate storyteller and answered questions raised by teachers and parents alike with a deep understanding and sensitivity to the moment, to the question beneath the question in a sense.
The children were spellbound listening to Jenni’s story of the woman who made hats and those cheeky monkeys!
The next day they returned to class asking for more. It was wonderful having Jenni visit our school and share her knowledge and passion for storytelling. We are in turn inspired to keep telling stories, especially stories from the land and the world around us.
Armidale Waldorf Steiner School - September 2022Thank you for performing for our students today. It was lovely to meet you. The students and teachers really enjoyed your storytelling. Thank you for your positive energy and obvious love of children.
St. Augustine's Parish Primary School - August 2022Jenni was great with the children - very interactive. She was also a wonderful person to host at our school. I received lots of positive feedback from staff & students.
Australian International School Malaysia (AISM) - September, 2016A very big thank you for organising a wonderful speaker, Jenni Cargill. Our students and teachers were enthralled. Her props and ability to keep her audience entertained was amazing. I would recommend Jenni to other schools.
St. Ignatius School, August 2016The visit from Jenni, met the expectation of giving the children the experience of a storyteller. The children were very engaged, and she was very good at encouraging audience participation. I was able to observe two of her sessions, and found that each session was adjusted to the group of children at the time. She used different stories with the two groups and even had two of the children act out the main characters of the story.
I think the sessions were very good, and could not suggest any improvements.
St John's Anglican College - June, 2016
Stories to Light the Dark
The Mermaid's Shoes
The Story Tree
Molly Whuppie
Reaching For The Moon
Queensland
Speaker type
- Storyteller / Performer
- Educational consultant
- Interstate